Eveline Handlbauer

is a sculptor / visual artist 
based in Austria.


Thick air
Parallel vienna
It´s better to get off quickly
Benefits & prototypes –
the meaning of vertical

Private room
Measuring the sky
Hang over balcony
Dickflüssig und dünnblütig

SELECTED WORKS from the last years
Egoiste / Finished fetish / Tower / Pleasure universelle / Untitled (Legs filled with oil) / Galaxy – milky way No.1 / Accidents coming out of nothing / Passenger No.2 / Corner / Your ego doesn´t like change / Master and servant / Parquet No.1 / Factors of production / Waves / Arch / Untitled (Half of an ellipse) / Heroes / Pleasure universelle / Sliced icecream / Round with edges / Stay in touch / Headrest study No.1 / Luggage / Hanging heart / When nox is minimal / Hair on rubber / Passenger No.1 / Backslash / Touchy walls / Sunset strip / Hole to go / Parkside building / Passengers No.3 / Parquet No.2 / Fixed but not stable / Comet – one, two, three bang / Untitled (Triangle) / Tongue / Elements of storage / Smile at me / They were happy, until they were not / Postcorona glamour / Untitled (Slipping) / Untitled (Statebuilding)



Living in a material world (...) 

Dealing with the complexity of human experience and perception is of central importance to my work, for example questions about desire, meaningfulness and alienation. I see the world as a „built and constructed world“ and my sculptures are an expression of what has developed and consolidated in the course  of modernization.
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Responsible for the content is
Eveline Handlbauer.
The content of this website may not be shared, published or used without my permission. All photo credits are mine, except when stated otherwise.

All rights reserved © Eveline Handlbauer 2022



Benefits & prototypes – the meaning of vertical 

June 2019
K2 Linz, Domgasse 1

Exhibition view

untitled (daybed with neck roll),
2018 200 x 90 x 38 cm
concrete, gypsum

untitled (frame), 2018
60 x 40 x 70 cm
wood, rubber

untitled (staircase), 2018
ca. 120 x 170 x 150 cm
concrete, hard foam

untitled (supporting structure four), 2018
120 x 37 x 140 cm

                I´m a lover of concrete. I love the strength of concrete buildings. Their architecture promising improvement for almost every corner of human life. They embody pure optimism.  
In the difficult post-war periods architects trying to find new improved conditions for human life. The emerging possibilities of concrete allowed them new shapes, new and better ideas for society. Bringing every single person – even the ordinary working-class people – improved material circumstances and the chance of a longer, healthier, better educated life with better housing and working conditions. An important era for the further development and continuation of the triumph of modernity.

Shoulderstand, The meaning of vertical
70 x 38 cm
Fine art print on baryt paper